Thursday, October 14, 2021

Pompeia by LT Piver c1907

Pompeïa by LT Piver, launched in 1907, is a fragrance steeped in history, allure, and the mystique of ancient Rome. The name "Pompeïa" is derived from the woman who, for six years, was the wife of Julius Caesar. Pronounced "Pom-PAY-uh", the name evokes images of classical antiquity—an era of grandeur, power, and intrigue. Pompeia herself remains an enigmatic figure, her legacy intertwined with tales of scandal and politics, culminating in divorce proceedings that ended her marriage to Caesar. By naming this perfume "Pompeïa," LT Piver imbued it with connotations of timeless elegance, mystery, and feminine complexity.

The launch of Pompeïa coincided with the Edwardian era, a time marked by opulence, artistic exploration, and shifting societal norms. The world was captivated by archaeology, with significant discoveries sparking fascination with ancient cultures. Pompeii, in particular, had captivated the public imagination with its haunting ruins and preserved glimpses of Roman life. Women of the time, inspired by these themes, gravitated toward fashions and fragrances that suggested a connection to antiquity, romance, and intellectual refinement. A perfume named Pompeïa would have resonated deeply, offering wearers an air of sophistication and the suggestion of hidden depths.

As a floral chypre, Pompeïa captures the essence of classical beauty, blending the freshness of florals with the earthy, resinous base characteristic of the chypre family. Created by Louis Armingeat, its formula exemplified the era's evolving artistry in perfumery. Using a mix of natural extracts, infusions, absolutes, tinctures, and innovative synthetics, Armingeat crafted a long-lasting, multifaceted scent. The introduction of groundbreaking aroma chemicals like amyl salicylate (designed by Russian-born chemist Georges Darzens to mimic clover), aldehyde C12, α-hexyl cinnamic aldehyde, vanillin, and methyl ionone lent the perfume both depth and modernity. These synthetics enhanced the natural ingredients, resulting in a bold yet harmonious bouquet that captured the imagination.


The scent of Pompeïa would have evoked an emotional journey for its wearers. Its floral chypre structure, enhanced by the interplay of powdery and woody notes, conjured images of ancient Roman gardens filled with blooming flowers and fragrant herbs. The animalic undertones added an edge of sensuality, suggesting an unspoken allure beneath the refined exterior. Women of the time would have perceived Pompeïa as a statement of empowerment, a fragrance that celebrated their complexity and individuality while reflecting the grandeur and timeless allure of antiquity.

In an era where women were beginning to assert themselves more boldly in society, Pompeïa would have been a fitting olfactory companion—an embodiment of grace, strength, and intrigue. Whether as a personal indulgence or a social statement, it offered its wearers a connection to history and the promise of leaving an unforgettable impression.


Original Fragrance Composition:


So what does it smell like? It is classified as a floral chypre fragrance for women.
  • Top notes: amaryllis, aldehyde C12, neroli, bergamot, lemon, petitgrain, lavender, sweet orange, sweet pea, cassie, orange, amyl salicylate, a-hexyl cinnamic aldehyde, geranyl acetate
  • Middle notes: clove, honeysuckle, heliotrope, Bulgarian rose, rose de Mai absolute, jasmine, ylang ylang, iris absolute, geranium, rhodium, methyl ionone, orange blossom
  • Base notes: vetiver,  costus, opoponax, vanilla absolute, patchouli, ambergris, Mysore sandalwood, oakmoss, tonka bean, labdanum, benzoin, musk ambrette, vanillin, olibanum,  terpinyl acetate  




Scent Profile:


The opening symphony bursts with a radiant interplay of citrus and floral elements. The bright zest of lemon and bergamot leaps forth, their tartness softened by the honeyed glow of sweet orange. Neroli, with its green and slightly bitter floral heart, joins in harmony with petitgrain, adding a woody, citrusy whisper. Lavender's fresh and herbal touch rounds out the sharper edges, mingling with a gentle undercurrent of sweet pea, whose delicate sweetness feels as soft as satin. 

Cassie adds a soft powdery warmth, while the dewy floral brightness of amaryllis infuses an ethereal quality. The aldehyde C12 lends a sparkling effervescence, like sunlight dancing on crystal, while the creamy, almost tropical nuance of amyl salicylate mingles with the green, spicy undertone of a-hexyl cinnamic aldehyde. Geranyl acetate provides a fruity-floral undertone that ties this luminous bouquet together.

As the top notes settle, a garden blooms in full. The intoxicating richness of Bulgarian rose and rose de Mai absolute unfolds like velvet petals, kissed by morning dew. Jasmine’s sweet, narcotic embrace entwines with the creamy, exotic ylang ylang, offering an opulent warmth. Heliotrope brings a soft, powdery sweetness reminiscent of almond and vanilla, while honeysuckle adds a sweet, nectar-like charm. 

The spicy warmth of clove cuts through the florals, lending an exotic edge that feels both mysterious and grounding. Iris absolute emerges with its velvety and earthy elegance, while geranium adds a crisp green floral note with a touch of citrus. Orange blossom, sweetly floral with a hint of honey, brightens the heart, while rhodium and methyl ionone contribute a delicate violet and orris powdery complexity, layering sophistication into the bouquet.

As the heart gives way, a rich, sensual base reveals itself. Mysore sandalwood dominates with its creamy, smooth, and sacred warmth, perfectly balanced by the earthy, mossy depth of oakmoss. Vetiver’s dry, woody-green presence adds an elegant masculinity, softened by the sweet, resinous allure of opoponax and benzoin. Labdanum imparts a leathery, amber richness, blending seamlessly with the balsamic sweetness of vanilla absolute and vanillin, creating a soft gourmand veil. 

The warm, spicy aroma of patchouli grounds the fragrance, while costus adds a slightly animalic undertone, evoking a sense of depth and mystery. Ambergris contributes a salty, musky richness that dances with the ethereal musk ambrette, creating a harmonious balance. The smoky, resinous olibanum lifts the base into a spiritual dimension, while tonka bean introduces a creamy, almond-like sweetness with hints of cinnamon. The floral, woody freshness of terpinyl acetate lingers as a final whisper, leaving an impression as intricate as Pompeïa’s namesake—a timeless masterpiece of olfactory art.


Bottles:


The packaging for Pompeïa Parfum (Essence) by LT Piver, introduced in 1907, was as thoughtfully crafted as the fragrance itself. Contained in a clear glass bottle with a faceted lapidary stopper, its minimalist design allowed the ornate chromolithograph paper label to take center stage. The label featured Neo-Classical and Empire Period graphics, prominently depicting a standing woman representing Pompeïa. Draped in a flowing toga and holding a bouquet of flowers, she evoked themes of grace, femininity, and timeless elegance. These same striking graphics adorned the bottles and boxes of the other products in the Pompeïa line, such as Eau de Toilette, Eau Végétale, liquid brilliantine, hair lotion, face powder, soap, talcum powder, face cream, and solid brilliantine. The cohesive design lent the collection an air of sophistication and luxury.

Neo-Classicism, a cultural movement originating in the 18th century, drew inspiration from the art and architecture of ancient Greece and Rome. Its clean lines, symmetry, and emphasis on noble simplicity were a reaction against the excesses of the Rococo style. By the early 19th century, the Empire Period, named for the reign of Napoleon Bonaparte, had adapted Neo-Classical elements into a more opulent aesthetic. Empire style celebrated grandeur and imperial power, incorporating motifs such as laurel wreaths, classical drapery, and allegorical figures. These stylistic elements became a hallmark of refinement and authority, resonating with the ideals of elegance and cultural sophistication.

In the early 20th century, Neo-Classical motifs remained highly fashionable, symbolizing timeless beauty, purity, and an elevated sense of art and culture. These qualities made the style a natural choice for luxury goods, including perfumes.

LT Piver's choice of Neo-Classical imagery for Pompeïa’s packaging was likely strategic. The figure of a woman in a toga, representing Pompeïa, conjured associations with Roman antiquity, evoking images of sophistication, grace, and high culture. This connection between ancient Rome’s grandeur and the modern allure of a luxurious fragrance created a compelling narrative for the product. It invited consumers to imagine themselves as timeless muses, embodying the same elegance and poise as the figure on the label.

By aligning Pompeïa with the ideals of Neo-Classicism and the Empire Period, LT Piver positioned the fragrance as a product that transcended mere utility, offering a sensory and aesthetic experience steeped in history and cultural refinement. The vibrant chromolithograph label further emphasized the luxury and artistry of the line, making each product a collectible treasure.

Pompeïa was more than just a perfume—it was a complete beauty collection. The availability of Parfum (Extrait), Eau de Toilette, Eau Végétale, lotion, soap, face powder, talc, face cream, and brilliantine allowed women to immerse themselves in the fragrance, making it a part of their daily rituals. This comprehensive approach enhanced the appeal of the line, offering versatility while maintaining a unified aesthetic. Each item, adorned with the same Neo-Classical imagery, reinforced the allure of Pompeïa as an emblem of elegance, history, and enduring style.

LT Piver’s decision to integrate Neo-Classical design elements into the Pompeïa line was both artistic and marketing genius, ensuring its place as a celebrated icon in the world of early 20th-century perfumery.



















Gorgeous graphics on the talcum powder tin. The shaker top is fitted with a slide closure, it has a patent date of Aug. 2, 1921. On the bottom of the tin, there is a patent date of January 11, 1921. Approximate measurements 4.25" tall x 3.5" widest part of the tin. This 3.5 oz tin is marked "3 1/2 oz Net Contents Created by L.T. Piver Paris, Made in The U.S.A. by Their Successors L.T. Piver Inc. NY"




















Fate of the Fragrance:

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