Scarabee by LT Piver c1909

Scarabee by LT Piver was launched during Christmas time in 1909, in USA in 1911. The name is derived from the sacred and mysterious Scarabaeus beetle, the talisman of the ancient Egyptians. A model of the insect forms part of the design on the boxes of perfume.

Velivole by LT Piver c1910

 Launched by L.T. Piver in the early 1910s, Velivole is a fragrance that evokes a sense of freedom, lightness, and elegance. The name Velivole is derived from the French word “véloce,” meaning swift or quick, combined with a sense of flight or soaring. Pronounced “veh-lee-VOH-luh,” it encapsulates the spirit of effortless grace and the thrill of motion. In layman’s terms, Velivole suggests something that moves with elegance and fluidity, like a bird taking flight or the graceful passage of a cloud across the sky. This name would have brought to mind images of airy, untethered freedom and an almost weightless beauty.

The perfume was released during a period known as the Belle Époque, a time of great cultural flourishing in France that spanned the late 19th century into the early 20th century. The Belle Époque era was marked by a sense of optimism, technological advancements, and a refined aesthetic in fashion, art, and design. Women of this period embraced softer, more natural forms of beauty, celebrating lightness in both clothing and perfume. Corsets gave way to looser, more graceful silhouettes, and fashion emphasized the delicate and feminine. Velivole, as a fragrance, would have aligned perfectly with these ideals, offering an olfactory expression of the elegance and fluidity that defined the era.

The name Velivole itself invites associations with the airy, light qualities of a floral fragrance. Its composition likely balanced soft, ethereal florals with hints of freshness, evoking a sense of natural beauty as if plucked from a garden kissed by the breeze. For women of the time, this scent would have symbolized refinement, offering a connection to the modernist ideals of the period while maintaining the delicate femininity that was so coveted. The fragrance’s association with flight and freedom would have appealed to women who sought to express their independence and sophistication through their scent—allowing them to embody the elegance and grace of the times while embracing a new era of beauty and self-expression.

In Velivole, one can almost sense the flutter of petals caught in the wind, as if the very essence of flight and freedom was captured in the bottle, perfectly attuned to the evolving trends and desires of women in the early 20th century.

Astris by LT Piver c1897

Launched in 1897 and introduced to the U.S. by 1904, Astris by LT Piver evokes a sense of timeless mystique, elegance, and sophistication. The name "Astris" (pronounced as "AS-tris"), originates from Latin, meaning "of the stars." This celestial reference connects the fragrance to themes of infinity, the cosmos, and the ethereal beauty of starlight. The name also carries a deeper literary and mythological resonance, alluding to the "Age of Astree"—a mythical golden era when peace and goodwill flourished on Earth. This concept finds its roots in Greek mythology, where Astris (or Asteria) was one of the Heliades, daughters of Helios, the sun god, and her story connects her to divinity, nature, and mysticism.

Astris also nods to Honoré d'Urfé's pastoral novel L'Astrée (1607–1627), which idealized a romanticized, harmonious golden age. These literary and mythological associations imbue the fragrance with a sense of nostalgia, evoking images of pastoral serenity, celestial wonder, and poetic romance. Women of the late 19th century, when the perfume was launched, would likely have been drawn to the elegance and sophistication the name represented. The connection to myth and literary culture added an intellectual allure, making the wearer feel part of an elevated, imaginative world.

The perfume itself, created by George Darzens and Pierre Armigeant, was classified as a fresh floral aldehyde. With its blend of rose, jasmine, violet, Queen of the Night flower (nicotiana), and lily of the valley, Astris captured the light, airy qualities of floral elegance. The addition of aldehydes provided a sparkling, cool, metallic edge—a modern touch that gave the scent a sense of effervescence and refinement. These notes rested on a soft oriental base, adding depth, warmth, and an exotic character.

In the context of the turn of the century, when many perfumes emphasized rich, heavy florals or musky oriental blends, Astris stood out. Its aldehydic freshness and metallic coolness anticipated a trend that would later dominate perfumery with iconic scents like Chanel No. 5. Astris was forward-thinking yet timeless, embodying both innovation and classic elegance.

Misti by LT Piver c1912

Misti by L.T. Piver, launched in 1912 in France and arriving in the United States by 1915, is a fragrance that elegantly embodies its name and time. The name Misti is evocative and layered with meaning. Derived from the Quechua or Spanish language, Misti means "mixed," "mestizo," or "white," often referring to something with a snow-like quality or the snow cover on the dormant volcanic mountain, Misti, located in Peru. The pronunciation of Misti would be Mee-stee, simple and fluid in its sound, almost like a breath of fresh air. The imagery it conjures is one of crisp, cool, and ethereal landscapes, where snow softly blankets the earth beneath the mountain's towering presence. The word Misti evokes a sense of purity, clarity, and quiet strength—suggesting a serene yet striking beauty, much like the perfume itself. The emotional response to the name Misti may be one of calm, peacefulness, and the fleeting moment of dew on a cool morning.

The period in which Misti was launched, the early 1910s, was a time of significant transformation in the world, especially in fashion and social life. The years leading up to and including World War I were marked by shifts in style and attitude. Women, in particular, were embracing a new, more liberated way of dressing and living. The elaborate, corseted silhouettes of the Victorian era were being replaced by the more relaxed, flowing styles of the Edwardian period. The iconic "S-bend" corset was giving way to looser fits, with dresses that emphasized a natural waist and soft, draped fabrics. The Misti fragrance, with its delicate woodsy floral notes and "clean cut spiciness," would have appealed to women of this time who were stepping into a new sense of modernity and freedom. The 1910s were a time when women were asserting themselves more in the public sphere, entering the workforce in greater numbers and seeking fragrances that matched their evolving sense of independence and vitality.

Misti was described in a 1927 advertisement as capturing "the effect of a dew-drenched, moon-lit garden," and indeed, this delicate, woodsy floral fragrance perfectly embodies this idea. Its soft, fresh, and spiced scent evokes an image of a tranquil outdoor garden bathed in the gentle glow of moonlight. A "modernist version of the outdoors at large," as another advertisement from the same year described, Misti seems to encapsulate the purity and natural beauty of nature in a single, refined breath. Its "iridescence of a diamond," as noted in yet another ad, suggests a fragrance that is clear, sparkling, and sophisticated, just as diamonds are prized for their clarity and brilliance. Misti was promoted as a fragrance for "clear-cut youth and freshness," complementing the smart, day-to-day clothes worn by women of the time in both town and country settings. The imagery of "gardens in the sun" and "a spice of mischief teasing" adds a playful, lively dimension to the perfume, implying a fragrance that is both refined and spirited—a fitting match for the modern, adventurous woman.